{"id":22140,"date":"2025-04-30T14:28:14","date_gmt":"2025-04-30T07:28:14","guid":{"rendered":"https:\/\/thaipropertynews.com\/feeds\/?p=22140"},"modified":"2025-04-30T14:28:14","modified_gmt":"2025-04-30T07:28:14","slug":"genesis-and-tate-modern-announce-the-opening-of-the-genesis-exhibition-do-ho-suh-walk-the-house","status":"publish","type":"post","link":"https:\/\/thaipropertynews.com\/feeds\/?p=22140","title":{"rendered":"Genesis and Tate Modern Announce the Opening of The Genesis Exhibition: Do Ho Suh: Walk the House"},"content":{"rendered":"

\u2212\u00a0\u00a0\u00a0\u00a0 The Genesis Exhibition: Do Ho Suh: Walk the House<\/i>\u00a0opens at Tate Modern in London<\/span> in partnership with Genesis<\/p>\n

\u2212\u00a0\u00a0\u00a0\u00a0 The exhibition presents three decades of Do Ho Suh’s exploration on the themes of space, memory\u00a0and identity, marking his first major solo exhibition in London<\/span> in\u00a0a generation<\/p>\n

\u2212\u00a0\u00a0\u00a0\u00a0 Genesis Art Initiatives continues\u00a0its collaboration with institutions and visionaries with an understanding of contemporary challenges and timeless values<\/p>\n

SEOUL, South Korea<\/span><\/span>, April 30, 2025<\/span><\/span> \/PRNewswire\/ — Genesis and Tate Modern today announced the opening of The Genesis Exhibition: Do Ho Suh: Walk the House<\/i>. On view from May 1 to October 19, 2025<\/span>, the exhibition presents the breadth and depth of the artist Do Ho Suh’s practice over the last three decades, celebrating the first major solo showing of his work in London<\/span> in a generation.\u00a0<\/p>\n

\n

\"The<\/a>
The Genesis Exhibition: Do Ho Suh: Walk the House installation view at Tate Modern. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London and Victoria Miro. \u00a9Do Ho Suh. Photo \u00a9 Tate (Jai Monaghan)<\/span><\/p>\n<\/div>\n

\u00a0<\/p>\n

\n

\"The<\/a>
The Genesis Exhibition: Do Ho Suh: Walk the House installation view at Tate Modern. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London and Victoria Miro. \u00a9Do Ho Suh. Photo \u00a9 Tate (Jai Monaghan)<\/span><\/p>\n<\/div>\n

As the first Genesis Art Initiatives program in Europe,\u00a0The Genesis Exhibition: Do Ho Suh: Walk the House<\/i> was made possible through the partnership between Genesis and Tate Modern, one of the leading\u00a0institutes of modern and contemporary art. The expansive exhibition enables a deeper exploration of the artist’s thought-provoking insight that resonates with the complexities of our time.<\/p>\n

Do Ho Suh<\/span>, a Seoul<\/span>-born artist based in London<\/span>, is known for examining the relationship between architecture, space, the body and the memories. Through his large-scale installations, sculptures, videos and drawings, the artist invites visitors to explore the themes of one’s home, memory and identity, along with how we move through and inhabit the world around us.<\/p>\n

The exhibition’s title\u00a0Walk the House<\/i> is derived from “hanok,”\u00a0a traditional Korean house that could theoretically be disassembled, transported and reassembled at a new site, a process imagined as ‘walking the house.’ Reflecting this idea of a transportable home, the exhibition presents Suh’s continuous practice that spans\u00ad locations including Seoul<\/span>, New York<\/span>, and London\u00a0\u2014 the three cities he has called home.<\/p>\n

Visitors will be able to walk through his iconic fabric architectures \u2014 translucent 1:1 replicas of spaces in which the artist has lived and worked. These include the new site-specific installations Nest\/s <\/i>(2024) and Perfect Home: London<\/span>, Horsham<\/span>, New York<\/span>, Berlin<\/span>, Providence<\/span>, Seoul<\/span> <\/i>(2024), presented alongside other newly created pieces on display for the first time.<\/p>\n

The artist’s reflections on both personal and collective memory expand on other major works like\u00a0Rubbing\/Loving: Seoul Home<\/i>\u00a0(2013-22) and Rubbing\/Loving Project: Company Housing of Gwangju Theater<\/i>\u00a0(2012)\u00a0\u2014 created through the labor-intensive process of rubbing the surfaces of buildings with graphite or colored pencil.\u00a0Outside the entrance to the exhibition, visitors are also confronted with Who Am We? <\/i>(2000), a wallpaper made up of tiny portrait photographs collected from sources including school yearbooks \u2014 an early example of the artist’s exploration into the relationship between individual and group identity.<\/p>\n

In addition, the exhibition includes the artist’s intricate thread drawings and works on paper, as well as two video works \u2014 Robin Hood Gardens<\/i>\u00a0(2018) and Dong In Apartments<\/i> (2022), considering the relationship between a building and a home.<\/p>\n

The exhibition culminates in a space dedicated to Bridge <\/i>Project<\/i> \u2014 the artist’s ongoing exploration of the notion of a ‘perfect home’ in collaboration with specialists in architecture, engineering, anthropology and biology.<\/p>\n

\n

\"\"<\/a>
<\/span><\/p>\n<\/div>\n

\u00a0<\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

<\/p>\n

\u2212\u00a0\u00a0\u00a0\u00a0 The Genesis Exhibition: Do Ho Suh: Walk the House<\/i>\u00a0opens at Tate Modern in London<\/span> in partnership with Genesis<\/p>\n

\u2212\u00a0\u00a0\u00a0\u00a0 The exhibition presents three decades of Do Ho Suh’s exploration on the themes of space, memory\u00a0and identity, marking his first major solo exhibition in London<\/span> in\u00a0a generation<\/p>\n

\u2212\u00a0\u00a0\u00a0\u00a0 Genesis Art Initiatives continues\u00a0its collaboration with institutions and visionaries with an understanding of contemporary challenges and timeless values<\/p>\n

SEOUL, South Korea<\/span><\/span>, April 30, 2025<\/span><\/span> \/PRNewswire\/ — Genesis and Tate Modern today announced the opening of The Genesis Exhibition: Do Ho Suh: Walk the House<\/i>. On view from May 1 to October 19, 2025<\/span>, the exhibition presents the breadth and depth of the artist Do Ho Suh’s practice over the last three decades, celebrating the first major solo showing of his work in London<\/span> in a generation.\u00a0<\/p>\n

\n

\"The<\/a>
The Genesis Exhibition: Do Ho Suh: Walk the House installation view at Tate Modern. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London and Victoria Miro. \u00a9Do Ho Suh. Photo \u00a9 Tate (Jai Monaghan)<\/span><\/p>\n<\/div>\n

\u00a0<\/p>\n

\n

\"The<\/a>
The Genesis Exhibition: Do Ho Suh: Walk the House installation view at Tate Modern. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London and Victoria Miro. \u00a9Do Ho Suh. Photo \u00a9 Tate (Jai Monaghan)<\/span><\/p>\n<\/div>\n

As the first Genesis Art Initiatives program in Europe,\u00a0The Genesis Exhibition: Do Ho Suh: Walk the House<\/i> was made possible through the partnership between Genesis and Tate Modern, one of the leading\u00a0institutes of modern and contemporary art. The expansive exhibition enables a deeper exploration of the artist’s thought-provoking insight that resonates with the complexities of our time.<\/p>\n

Do Ho Suh<\/span>, a Seoul<\/span>-born artist based in London<\/span>, is known for examining the relationship between architecture, space, the body and the memories. Through his large-scale installations, sculptures, videos and drawings, the artist invites visitors to explore the themes of one’s home, memory and identity, along with how we move through and inhabit the world around us.<\/p>\n

The exhibition’s title\u00a0Walk the House<\/i> is derived from “hanok,”\u00a0a traditional Korean house that could theoretically be disassembled, transported and reassembled at a new site, a process imagined as ‘walking the house.’ Reflecting this idea of a transportable home, the exhibition presents Suh’s continuous practice that spans\u00ad locations including Seoul<\/span>, New York<\/span>, and London\u00a0\u2014 the three cities he has called home.<\/p>\n

Visitors will be able to walk through his iconic fabric architectures \u2014 translucent 1:1 replicas of spaces in which the artist has lived and worked. These include the new site-specific installations Nest\/s <\/i>(2024) and Perfect Home: London<\/span>, Horsham<\/span>, New York<\/span>, Berlin<\/span>, Providence<\/span>, Seoul<\/span> <\/i>(2024), presented alongside other newly created pieces on display for the first time.<\/p>\n

The artist’s reflections on both personal and collective memory expand on other major works like\u00a0Rubbing\/Loving: Seoul Home<\/i>\u00a0(2013-22) and Rubbing\/Loving Project: Company Housing of Gwangju Theater<\/i>\u00a0(2012)\u00a0\u2014 created through the labor-intensive process of rubbing the surfaces of buildings with graphite or colored pencil.\u00a0Outside the entrance to the exhibition, visitors are also confronted with Who Am We? <\/i>(2000), a wallpaper made up of tiny portrait photographs collected from sources including school yearbooks \u2014 an early example of the artist’s exploration into the relationship between individual and group identity.<\/p>\n

In addition, the exhibition includes the artist’s intricate thread drawings and works on paper, as well as two video works \u2014 Robin Hood Gardens<\/i>\u00a0(2018) and Dong In Apartments<\/i> (2022), considering the relationship between a building and a home.<\/p>\n

The exhibition culminates in a space dedicated to Bridge <\/i>Project<\/i> \u2014 the artist’s ongoing exploration of the notion of a ‘perfect home’ in collaboration with specialists in architecture, engineering, anthropology and biology.<\/p>\n

\n

\"\"<\/a>
<\/span><\/p>\n<\/div>\n

\u00a0<\/p>\n

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